PI 處理能力確比 DSS強。不過,我相信只要影像夠signal,flat field影得好,光害影響輕微的情況下,使用PS應可做到相同或甚至更好的效果。Marantz 寫:[Good Job] 這個PI真的很强!
PI學習路程 -- 第 7 課-- M13 reprocessed
May be it is time to consider the fidelity of the display and a calibration.LT 寫:第3課:引入 BackNeutralization (BN) 和 ColorCalibration (CC)等的校正。
對比沒有使用這些校正,背景的偏色好像沒那麼嚴重。不過,仍未了解操作過程和所輸入參數的意義,所以校正效果只是比沒做,稍為好了一點點。要再三參透。
在PS內再執色,發覺,引入越多PI的工具,執出來的影像越來越 "PI 味道",越來越多數碼味,越來越覺是用PI執出來。
應該只是我的執相技藝"太屎"造成的。
Having a referenceable baseline is a starting point for curve and colour adjustments.
My revision on what had been learnt up to now.
PI does do a great job on digging out the data from a rubbish RAW. This M1 was taken at my YL location under street lights, and from the attachment, you can see how weak the signal of this object was captured. In PI, "cooked" this image with BatchPreprocessing, DynamicCrop, DBE, BackgroundNeutralisation, ColorCalibration and HistrogramTransformation. Then finally touched up in PS CS2 with color balance, level and curve adjustment.
This image was taken with 30cm F4 Newtonian + Lumicon 1.8x extender + LPS filter + modified EOS 100D + Vixen AXD mount @ ~2200mm F7.2, iso400 RAW and autoguided with 8cm F4 scope + 2x + QHY5 + PHD.
Total exposure = 9x240s with darks and flats calibrated. Maybe due to too much stray light coming into the newtonian, seemed those flats didn't work goodwell on flat calibration.
PI does do a great job on digging out the data from a rubbish RAW. This M1 was taken at my YL location under street lights, and from the attachment, you can see how weak the signal of this object was captured. In PI, "cooked" this image with BatchPreprocessing, DynamicCrop, DBE, BackgroundNeutralisation, ColorCalibration and HistrogramTransformation. Then finally touched up in PS CS2 with color balance, level and curve adjustment.
This image was taken with 30cm F4 Newtonian + Lumicon 1.8x extender + LPS filter + modified EOS 100D + Vixen AXD mount @ ~2200mm F7.2, iso400 RAW and autoguided with 8cm F4 scope + 2x + QHY5 + PHD.
Total exposure = 9x240s with darks and flats calibrated. Maybe due to too much stray light coming into the newtonian, seemed those flats didn't work goodwell on flat calibration.
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我都只是用了despeckle和reduce noise。對於亮度如此集中的目標不必用LAYER MASK,只需"選取顏色範圍",選取暗的範圍反覆多做幾次reduce noise,亮的地方reduce noise後可再做UNSHARP MASK和增加飽和度。
白平衡只是用普通的色彩平衡調得藍些和加了很少很少的綠。
個人不建議用CURVE調白平衡因為很容易失敗。自己執相會用LEVEL作最初步的調整 —— 不建議每個Channel去調,而是用"灰色滴管",在相片沒有星和雲氣的地方四處亂"篤" ,直到篤中顏色看起來自然便可以
(前提是疊相軟件如DSS已選了自動修正RGB的GAIN的選項,否則GAIN差太遠便要Level先把每個Channel都調得有大致一樣的"起伏"才行)
白平衡只是用普通的色彩平衡調得藍些和加了很少很少的綠。
個人不建議用CURVE調白平衡因為很容易失敗。自己執相會用LEVEL作最初步的調整 —— 不建議每個Channel去調,而是用"灰色滴管",在相片沒有星和雲氣的地方四處亂"篤" ,直到篤中顏色看起來自然便可以

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